During an artist residency at the Footnote Center in Belgrade, I examined the changes in aesthetics and semiotics of former industrial plants in former Yugoslavia. I am using the architecture of the factories, as places of remembrance of deindustrialisation, as an artistic element itself. I am allowing the old to melt into the new and to communicate with one another, and make the polyphony of the places  resonate to the surface. The project was kindly supported by ifa- Institute for foreign relations in Art and Culture.